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Portrait reconstruction of XAN029
Ancient Individual

A man buried in Greece in the Bronze Age era

XAN029
1300 BCE - 1250 BCE
Male
Late Minoan Culture
Greece
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Chapter I

Identity

The biological and cultural markers that define this ancient individual

Sample ID

XAN029

Date Range

1300 BCE - 1250 BCE

Biological Sex

Male

mtDNA Haplogroup

Not available

Y-DNA Haplogroup

J-Y13128

Cultural Period

Late Minoan Culture

Chapter II

Place

Where this individual was discovered

Country Greece
Locality Chania (Crete)
Coordinates 35.5173, 24.0149
Chapter III

Time

When this individual lived in the broader context of human history

XAN029 1300 BCE - 1250 BCE
Chapter IV

Story

The narrative of this ancient life

The Late Minoan period, spanning approximately from 1550 to 1100 BCE, represents the culmination of the Minoan civilization on the island of Crete. This era is marked by significant developments in architecture, art, trade, and society, reflecting the complexity and richness of Minoan culture before its eventual decline. The Late Minoan period is typically subdivided into Late Minoan I, II, and III, each characterized by different cultural and architectural phases.

Architecture and Urban Planning

The architectural achievements of the Late Minoan period are epitomized by the sprawling palace complexes, the most famous being Knossos, Phaistos, Malia, and Zakros. These multi-story buildings featured elaborate ground plans with a central courtyard, extensive storage facilities, luxurious residential quarters, and spaces for religious practices. The palaces were constructed using ashlar masonry and incorporated advanced building techniques, such as pier-and-door partitions and drainage systems.

Urban areas surrounding the palaces were densely populated and well-organized, featuring sophisticated infrastructure like roads, bridges, and aqueducts. Cities were often located on strategically important sites, either on the coast to facilitate trade or inland in fertile areas to support agriculture.

Art and Iconography

Minoan art from the Late Minoan period is renowned for its naturalism, vibrant colors, and fluidity. Frescoes, one of the most significant art forms of this era, adorned the walls of palaces and homes, depicting scenes of nature, religious rituals, and everyday life. The 'Prince of the Lilies,' a fresco from Knossos, and the 'Dolphin Fresco' are exemplary of this art form.

Sculpture and pottery also flourished during this time. Pottery styles like the Marine Style, characterized by themes from the sea, and the Floral Style, highlighting plant motifs, were prevalent. The art often depicted religious themes, emphasizing the Minoan connection with deities, especially female goddesses, indicative of possible matrilineal society or significant female religious figures.

Religion and Ritual

The Late Minoans practiced a complex religious system that included a pantheon of deities, many of whom were associated with natural elements. Religious activities involved processions, offerings, and possibly human or animal sacrifices, as suggested by some archaeological evidence. Sacred symbols like the labrys (double axe) and the bull were prominent in religious iconography, reflecting the importance of bull-leaping rituals.

Peak sanctuaries, caves, and enclosed sanctuaries, often located in rugged and remote areas, served as places of worship and ritual. The religious practices reflect a close connection to nature and a belief system that reinforced the societal structure, possibly ruled by priest-kings or priestesses.

Economy and Trade

The Late Minoan economy was vibrant and highly engaged in both local and international trade. Crete's strategic position in the Mediterranean allowed the Minoans to become prominent traders, exchanging goods like olive oil, wine, saffron, and crafted products for luxury items, metals, and raw materials from Egypt, the Near East, and the Aegean islands.

The Minoan script, Linear A, used in administrative and religious contexts, illustrates the complexity of their bureaucratic system. Although Linear A is not yet fully deciphered, it provides evidence of an organized economy and societal structure.

Society and Culture

Minoan society is believed to have been relatively egalitarian with a possible emphasis on gender equality. Artifacts and frescoes often depict both men and women in ceremonial and everyday roles, suggesting a society where women potentially held significant religious and social authority.

Cultural practices such as bull-leaping, dance, and festival celebrations played a crucial role in reinforcing community and religious ties. Music, dance, and possibly theatrical performances were integral to Minoan culture, as evidenced by frescoes and artifacts representing musical instruments.

Decline and Legacy

The decline of the Late Minoan civilization, particularly during the Late Minoan III period, is attributed to several factors, including natural disasters like earthquakes and the volcanic eruption on the nearby island of Thera (modern Santorini). These, combined with external pressures from Mycenaean Greeks and possible internal strife, eventually led to the assimilation and decline of Minoan culture.

Despite this decline, the legacy of the Minoans lived on, influencing Mycenaean culture and later Greek civilization. Their artistic styles, architectural techniques, and possibly even religious practices left an indelible mark on the Aegean world, serving as a testament to one of the earliest advanced civilizations in Europe. The mystery and allure of the Minoans continue to captivate historians, archaeologists, and the general public today, inviting ongoing exploration and interpretation of their vibrant civilization.

Chapter V

Context

Other ancient individuals connected to this sample

Sources

References

Scientific publications and genetic data

Scientific Publication

Ancient DNA reveals admixture history and endogamy in the prehistoric Aegean

Authors Skourtanioti E, Ringbauer H, Gnecchi Ruscone GA
Abstract

The Neolithic and Bronze Ages were highly transformative periods for the genetic history of Europe but for the Aegean-a region fundamental to Europe's prehistory-the biological dimensions of cultural transitions have been elucidated only to a limited extent so far. We have analysed newly generated genome-wide data from 102 ancient individuals from Crete, the Greek mainland and the Aegean Islands, spanning from the Neolithic to the Iron Age. We found that the early farmers from Crete shared the same ancestry as other contemporaneous Neolithic Aegeans. In contrast, the end of the Neolithic period and the following Early Bronze Age were marked by 'eastern' gene flow, which was predominantly of Anatolian origin in Crete. Confirming previous findings for additional Central/Eastern European ancestry in the Greek mainland by the Middle Bronze Age, we additionally show that such genetic signatures appeared in Crete gradually from the seventeenth to twelfth centuries BC, a period when the influence of the mainland over the island intensified. Biological and cultural connectedness within the Aegean is also supported by the finding of consanguineous endogamy practiced at high frequencies, unprecedented in the global ancient DNA record. Our results highlight the potential of archaeogenomic approaches in the Aegean for unravelling the interplay of genetic admixture, marital and other cultural practices.

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